Tuesday, December 12, 2017

Alan Melville, Quick Curtain

Alan Melville, Quick Curtain
Poisoned Pen Press 2017 (Reprint of 1934 edition)
© 2015 Estate of Alan Melville
ISBN 978-1-4642-0870-6

Alan Melville, who (according to Martin Edwards’ introduction) had a long and fairly distinguished career as a playwright and with the BBC (radio and then television) from the 1930s to the 1960s, provides us with a light, satiric look at the state of English theatre in the 1930s, with an improbable murder tossed in for additional fun.  The book revolves around the opening of a new musical comedy, Blue Music, produced by the famous producer Douglas B, Douglas starring Brandon Baker and Gwen Astle (both of whom have appeared in many DBD productions, and written by Ivor Watcyns, whose work never fails to amuse.  Everything appears in place for another commercial triumph (let’s ignore artistic considerations).

Among others in attendance at the opening are CID Inspector Wilson and his son, Derek (a journalist).  (I particularly liked the description of one of the theatre critics, James Amethyst, who has written—and turned in—his review before arriving at the theatre.)  The first act passes off rather well, as does most of Act II, Scene 1…until the very end, when a gunshot (which is supposed to be fired by a prop gun (with no ammunition) in fact leads to the actual shooting, and death, of Mr. Blake.  Inspector Wilson takes charge, with his son Derek acting as his Watson, and the investigation begins.  And shortly, a second death occurs—the actor (J. Hilary Foster) who fired the gun is found dead, hanging from the ceiling, in his dressing room.

Part of the charm of the book comes from the interplay between Wilson pere and Wilson fil, and Derek carries out quite a bit of the actual investigation.  (For one thing, he is dispatched to a small town in the north, which results both in some important discoveries and occurrences, but also in an exchange of amusing telegrams between the Wilsons.

Well.  It appears we have a solution to the crimes, and Inspector Wilson is set to make his arrest during the first performance of Blue Magic since the tragic events of the premiere.  Justice triumphs, and all is well.  Or not.  There is, as it happens, a final series of disclosures…

This is not a masterpiece; it’s light (well, as light as a book with multiple murders can be), and I particularly enjoyed the relationship between the Wilsons.  It’s a pleasant way to spend a few hours, and, if you do, I don’t think you’ll regret it.

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