Minotaur/St. Martin’s Press © 2017
ISBN 978-1-250-07853-7
Also available as an ebook
Jake Marley, who has been a recluse for decades (since
shortly after his younger sister died in an automobile accident, has recently
purchased the old, abandoned, and decrepit opera house in Clearview. He intends to renovate it, and, for the first event,
has commissioned a version of Dickens’ A
Christmas Carol, to be set in Texas.
And then he is found--dead--inside the
opera house, by Aubrey Hamilton (a local realtor who worked with Marley on his purchase
of the opera house.
Although it looks like Marley has fallen from a catwalk,
Sheriff Dan Rhodes has his doubts.
Of course, that’s not all that’s going on in Blacklin County,
Texas. For one thing, Elaine Tunstall has
gone off her meds and is threatening to inflict serious damage (with a
sledgehammer) on The Beauty Shack, where she got what she regards as a bad
haircut. And we have a case of disputed
possession of an item at a garage sale, for another.
But Marley’s death is the main event. The question is, why, if it is murder, anyone
would want to murder an extremely wealthy recluse who has come out of seclusion
with plans to spend a lot of money to restore the opera house?
Another question is why, in his will, he specifies that he
wants the Sheriff to be present at the first performance of the play. More, why has he named four of his fellow high
school students to four specific roles in the play (Scrooge, and the Ghosts of
Christmas Past, Christmas Present, and Christmas Yet To Come)? Why will he be playing (of course) the ghost
of Jacob Marley? How, is at all, is his
sister’s death related to all this?
Perhaps more than usual, the town of Clearview is a
character in this episode of the series.
Its part is, more or less, that of the aging and declining world that
was in a world in which it may no longer has a role.
And there may be ghosts.
So C.P. (Seepy) Benton, math professor at the community college, and
Harry Harris, English professor (and designated author of the play Marley wanted
written), as Clearwater Paranormal Investigations, crash the investigation/
Rhodes pursues his investigation in his usual way, asking
questions, stirring up (in this case) decades-old memories, and provoking
responses from all the folks concerned.
I was pleased that Rhodes’ wife Ivy has a larger than usual role in the
book, as a participant in the investigation.
And Rhodes’ dogs, Yancey and Speedo, are not just doing their doggie
thing, they make a contribution to fighting crime.
Crider’s been doing this for a while (this is the 24th
book in the series; the first one—Too Late
to Die—was published in 1986, and, as in any long-running series, there are
commonalities among the tales. But that
doesn’t mean it’s all become formulaic.
The plot here is quite intricate, and the events, from Marley’s
emergence from seclusion to the opera house rehab and play to the ultimate
solution raise interesting questions about motive, about community, and about
justice. Crider is at the top of his
form here, in one of the best books in a fine series.
Thanks, Don!
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