Coachwhip Publications © 2017; reprint of 1937 original
ISBN 978-1-61646-415-8
Alexander Williams (who, according to one source
was born in 1894 and died in 1952) wrote this and at least three other
mysteries [The Hex Murder, The Jinx
Theatre Murder (1933), and Death over Newark (1933)]. This is described (at Amazon) as a "golden age" mystery; you can consider it as such if you take as the baseline the hard-drinking, hit-them-over-the-head mystery as "golden age." Or maybe American "golden age," not British "golden age."
Murder
in the WPA is narrated by James Moore, who has been sent by Works Progress
Administration executive Ben Cook to look into the WPA’s operations in an
unnamed city. This assignment has been
prompted by a telegram sent by the WPA’s administrator, Commodore Ireton,
alleging the presence of communist infiltrators and calling for the suspension
of the WPA’s white collar programs (largely in the visual and performing arts,
and some others). (The WPA was
established in 1935 and dissolved in 1943.)
Shortly after Moore arrives, Ireton is murdered—strangled—in his office
during a demonstration both outside and inside the WPA’s offices.
Moore’s outsider status, and his appointment of acting WPA administrator
for the district, makes him a natural to work with the police officer
(Detective Lieutenant Pietro Tonelli, who also appears in The Jinx Theatre Murder and Death
Over Newark, both, apparently—I have read neither of them—set in New
York). Given the disruption at the time
of the murder, it’s difficult to determine immediately a motive, or to identify
a small group of suspects. Within short
order, Ireton’s lover is also murdered, in her apartment, again in circumstances
that fail to eliminate anyone or to focus suspicion on anyone.
Complicating the situation is the existence of an
organization calling itself Four-Square For America (an obviously fascist
organization); many of the WPA workers seem to be members. Another complication is that Ireton’s
daughter (Jaze) and one of the people in the theatre section (Larry) are in
love, and trying to keep it a secret.
There’s much drinking, a fair number of people bopped on the
head (including Moore more than once), and much confusion. Little in the way of detection occurs, until
we have a climactic scene in a farmhouse some distance from the city. In fact, we discover some of the information
relevant to the solution of the murders when Tonelli explains all to Moore at
the end of the book.
There’s a fair amount to like in the book. Williams obviously knew a lot about the
organization and operation of the WPA arts programs, and the story is
fast-paced and more-or-less in the screwball comedy category of mysteries. I would not call it a fair-play mystery
though. I’ll probably read the two
previous books (The Hex Murder is
also available; Tonelli does not appear in it, so I’ll wait on that). But these are also not going to be keepers.
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