MysteriousPress.com/Open Road © 1953; this edition 2011
ASIN: B005XE5BDE
This is the
story of an English family, with complications.
The principals are Thomas and Matilda Evans, a married couple with a
small child; Rosie, Thomas’s (20-years-younger than he) sister (and recently
returned to England from a school in Switzerland); Thomas’s grandmother; Melissa,
Thomas’s secretary and family servant; Tedward (Thomas Edwards), Thomas’s
partner in his medical practice; assorted acquaintances; and Inspector Cockrill
(Cockie). Known to the family from earlier goings-on. Oh, and Matilda’s one-time lover, Raoul
Vernet, who has come to London for the purpose of communicating something
important to her.
Rosie, who is
(it seems) in her late teens, and pregnant.
She’s trying to find someone, almost anyone, to have an abortion. Among the people she approaches is Tedward,
who has conceived a hopeless passion for her.
Rosie manages to tell everyone a different story about how, and by whom,
she became pregnant. When she finally
pitches up at Tedward’s home (and office), abut 9 PM, with one of London’s
famous fogs rapidly making visibility essentially zero., she tells him a story
suggesting that Raoul is the man. While
she’s there, the phone rings, and Rosie answers. It’s Raoul, urgently asking for medical care;
he has been assaulted and is at the Evans’ house.
Tedward gets
the car out, and, on the way, manages to get lost in the fog. When they arrive, Raoul is dead (in the
hallway, clutching the phone, which has been pulled from the wall). He has been battered by a blunt object (which
turns out to be a mastoid mallet, a medical instrument). As Rosie and Tedward arrive, Matilda is
coming down from having helped her grandmother-in-law to bed and getting her
own child down for the night; she has seen and heard nothing.
A London
police superintendent investigates, the family calls Cockie to help them find
out what’s happened. Eventually the
London cop arrests Thomas, but releases him in order to arrest Tedward. Roughly the last third of the book is given
over to an account of Tedward’s trial.
Brand wrote
an interesting introduction (for the late 1970s republication), in which she
talks about the background to the story, why she still likes it a lot, and says
it is her favorite of all her books.
Personally, I found the Evans family pretty uninteresting and large
stretches of the book seems like filler.
But the mystery and its investigation are nicely handled, and the
conclusion does come as something of a surprise—although everything I as a
reader needed to know is there in plain sight.
Not an outstanding piece of work, but a reasonable and generally satisfying
read.
